Monday, 13 February 2012

Mentor Sessions with Leonie and Tara

Visiting Leonie's house and studio has been a pleasure for my artistic eye, with an array of exquisite objects and colours, I was immediately drawn into the aesthetic world that informs Leonie's practise. From this point we could exchange ideas more extensively. I pulled out books and got lost in Leonie's interior decorating. Leonie has pushed herself in trying new mediums and processes to a point were some results have been quite magical, playing with the accidental and being informed by some of my tricks.

The only limitation has been that I have not been able to host Leonie at my house due to Transport limitations, meeting in the home is always a good extension of ideas and relationship of the person.

I have also enjoyed slowly introducing some of the more practical elements of professional development, such as approaches to funding and exhibiting, how to access resources available for this. This side is well known to me and one which I have learnt through persistence. An important element to an artist career and not always an easy undertaking to approach at first.  - Tara Gilbee


Artist and Mentor: Leonie Kelsall, Tara Gilbee
Photograph: Christine Sayer
Location: Leonie's Place

Wednesday, 8 February 2012

Interview with Leading Artist Rick Whateley


Artist and Mentor: Rick Whateley, Andrew Goodman
Photograph: Christine Sayer
Location: Old Fire Station, View Street

Why did you decide to take part in Next On Now?
It was a good opportunity to collaborate with other local artists, meet like-minded people and explore new directions and opportunities.
What has it been like working alongside other artists in Bendigo with guidance from a mentor?
The mentor aspect has been great- I feel I have gained a lot from working with Andrew (Goodman); not only in terms of technical aspects, he has a very philosophical approach to his work and art in general…. He has a very informed approach, and it’s insightful to hear his ideas.
What has been the inspiration behind your work?
Life. I don’t have the attention span to spend weeks on a drawing or a painting or a print, I envy people that can, I really do. So I work sporadically and suddenly and what comes out comes out, and tends to reflect what the current scenario might be, life-wise. Call it catharsis? It’s more a necessary process than a studious one, as clichéd as it sounds.
Have you been experimenting with new art forms and/or techniques for your work?
This is the first time I’ve explored using sound. It’s actually been really fun, wandering around the house recording random noises in the dead of night. It’s funny how many cool sounds exist in a latent kitchen cupboard. I’d also like to thank my dog Paco for contributing some nice growls and whatnot. I’ll have to credit him. Also the first time I’ve played with a projector. The projector gives a fair degree of freedom; the images projected will variously be cyanotype prints, collage work and illustrations…..so you can fit a few mediums in…..
Describe your work in 5 words.
The exhibition work?- ‘It’s about your inner stairwell’? …..If you mean in generally, then ‘made nocturnally in my bedroom’.
Who and/or what inspires you?
Shit, where do I start?--- In no particular order --- My Dad, My Mum (R.I.P), my beloved one Zora, refugees, Brett Whiteley, Andy Howell, Bob Brown, Sean Penn, tight-knit families, my amazing friends, Jean-Michel Basquiat, Ryan McGinley, Marcus Salvagno, Swoon, Bile, Puzle, Iree, Revok, Rencs, Prek1, Audrey Kawasaki, Hetha Tew, the weather, Sian Haldane, Josh McKenzie, my fellow Punctum peoples, Neil Cole, the outdoors, the ocean, Leonard Cohen, Luciano Prisco, Talib Kweli, Dead Prez, people that think outside the box, good lecturers at Uni, antique cameras, people that talk to strangers on public transport.
Where do you hope to be in 5-10 years time?
That’s pretty unpredictable!  I’m studying Politics and Sociology, so I have a long term view to work with the United Nations or in the Human Rights arena in some capacity. I’ll hopefully still have some freelance art going on the side to keep me sane, I think I’ll need it. But that kind of career will lend itself well to photojournalistic studies, my preferred area of photography, so hopefully they marry well. Thank you Punctum for supporting us all by the way, it’s been a great experience.

Saturday, 4 February 2012

Production Meeting: Tuesday 24th January


Artists and Mentors: Isobelle Sirianni, Kelly Robson, Jude Anderson, Tom Pender, Katie Sfetkidis, Krista Horbatiuk, Rick Whateley, Amy Turton, Leonie Kelsall, Stella Barta-Wong, Jacqueline Brodie-Hanns
Photograph: Christine Sayer
Location: Old Fire Station, View Street


Marketing and Publicity: Jacqueline Brodie-Hanns
Photograph: Christine Sayer
Location: Old Fire Station, View Street


Artists and Mentors: Isobelle Sirianni, Kelly Robson, Jude Anderson, Tom Pender, Katie Sfetkidis, Krista Horbatiuk, Rick Whateley, Amy Turton, Leonie Kelsall, Stella Barta-Wong, Jacqueline Brodie-Hanns
Photograph: Christine Sayer
Location: Old Fire Station, View Street